Bart Vandewege is very active as a bass singer, with a repertoire ranging from 16th-century polyphony to contemporary works such as "Rothko Chapel" (Morton Feldman) and "Einstein on the Beach" (Philip Glass). He sings with prestigious ensembles including Collegium Vocale Gent (Philippe Herreweghe), Vox Luminis (Lionel Meunier), Gli Angeli Genève (Stephan MacLeod), Bach Collegium Japan (Masaaki Suzuki), Il Gardellino (Marcel Ponseele), Voces Suaves (Tobias Wicky), Amsterdam Baroque Choir (Ton Koopman), Huelgas Ensemble (Paul van Nevel), Euskal Barrokensemble (Enrike Solinis), Plus Ultra (Michael Noone), Sette Voci (Peter Kooij), La Petite Bande (Sigiswald Kuijken), Concerto Köln, Utopia, Il Giardino Armonico, Freiburger Barockorchester, and Akademie für Alte Musik Berlin.

As a guest conductor of the Flemish Radio Choir, Bart Vandewege has made recordings of lesser-known works by composers ranging from Fétis and Lemmens to cutting-edge figures like Elliott Carter. As an assistant conductor, he has directed, among others, La Chapelle Royale, Collegium Vocale Gent, Il Gardellino, and the Amsterdam Baroque Choir, under the commissions of Gustav Leonhardt, Peter Phillips, Philippe Herreweghe, Ton Koopman, and Eduardo López Banzo.

Additionally, he has performed under conductors such as Ivor Bolton, Francesco Corti, Marcus Creed, Alan Curtis, Roy Goodman, Bernard Haitink, Thomas Hengelbrock, Christopher Hogwood, René Jacobs, Robert King, Gustav Leonhardt, Peter Phillips, Kaspar Putniņš, Peter Rundel, Skip Sempé, Jos Van Immerseel, and James Wood. He has also performed on numerous recordings and in concerts with internationally renowned orchestras, including the Vienna Philharmonic, the Royal Concertgebouw Orchestra, and the Staatskapelle Dresden, across Europe, the USA, and Asia.

Muy solicitado como cantante, Bart Vandewege domina un repertorio que abarca desde la polifonía del siglo XVI hasta obras contemporáneas como "Rothko Chapel" (Morton Feldman) o "Einstein on the Beach" (Philip Glass). Canta con prestigiosos conjuntos como Collegium Vocale Gent (Philippe Herreweghe), Vox Luminis (Lionel Meunier), Gli Angeli Genève (Stephan MacLeod), Bach Collegium Japan (Masaaki Suzuki), Il Gardellino (Marcel Ponseele), Voces Suaves (Tobias Wicky), Amsterdam Baroque Choir (Ton Koopman), Huelgas Ensemble (Paul van Nevel), Euskal Barrokensemble (Enrike Solinis), Le Concert Spirituel (Hervé Niquet), Plus Ultra (Michael Noone), Sette Voci (Peter Kooij), La Petite Bande (Sigiswald Kuijken), Concerto Köln, Utopia, Il Giardino Armonico, Freiburger Barockorchester y Akademie für Alte Musik Berlin.

Como director invitado del Coro de la Radio Flamenca, ha realizado diversas grabaciones de obras olvidadas de compositores que van desde Fétis y Lemmens hasta figuras vanguardistas como Elliott Carter. Como director asistente, ha dirigido, entre otros, La Chapelle Royale, Collegium Vocale Gent, Il Gardellino y el Amsterdam Baroque Choir, por encargo de Gustav Leonhardt, Peter Phillips, Philippe Herreweghe, Ton Koopman y Eduardo López Banzo.

Por otra parte, ha trabajado como bajo con directores como Ivor Bolton, Francesco Corti, Marcus Creed, Alan Curtis, Roy Goodman, Bernard Haitink, Thomas Hengelbrock, Christopher Hogwood, René Jacobs, Robert King, Gustav Leonhardt, Peter Phillips, Kaspar Putniņš, Peter Rundel, Skip Sempé, Jos Van Immerseel o James Wood, entre otros. Ha participado, igualmente, en numerosas grabaciones y conciertos con orquestas de renombre internacional, incluyendo la Filarmónica de Viena, la Orquesta del Concertgebouw de Ámsterdam y la Staatskapelle de Dresde, en Europa, Estados Unidos y Asia.

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